Back
from the supermarket, I try to remove the tag from fruits and vegetables. The
white little oval tag that carries the PLU and a bar code and can be found on
most fresh supermarket items, from tomatoes to watermelon.
It
bothers me. I hate the tag, it’s small and sticky. The only way to get rid of
it is to affix it to something else. Plus, there’s glue and paper (or, even
worse, plastic) on my food. Yes, of course, the glue is harmless. If I wash an
apple or a tomato before removing the tag, it won’t come off easily. The pesky
thing leaves a residue that blemishes the fruit.
Why
does it bother me so much?
I
don’t know.
I
hate it.
“But
they need to do that,” someone tells me. “They need to identify the food.
Otherwise how can they keep track of where the food comes from?”
Maybe
that’s it. Maybe I don’t want my food to be identified. What’s going on, now
the pears are carrying IDs? There’s something wrong with that.
It’s
Romania and it’s the 1980s and we have a garden. Every weekend, that summer and
then many others summers, we go to Cuvin, a small village half a mile away from
Ghioroc, a larger village where the train stops, fifteen miles away from Arad,
where we live.
Now
all the kids my age living in Arad have grandparents living in the countryside.
Ours are far away, so in order to get some village experience my father rents
for a mere nothing a plot of land at the foot of a hill. The land is uncultivated;
it was recently parceled out and rented to city types like us (Arad has 130,000
people) to enjoy amateur gardening on weekends. We turn it into a garden.
These
days, the supermarket tomato can be from anywhere, from California to Argentina.
Maybe that’s the problem: the tomato that I’m about to eat has already traveled
more than my grandmother has in a lifetime. A scan of the pesky tag can tell
the history of the fruit’s travels: where it came from, how it flew here…—flew?
This creeps me out. Why on earth would I want to eat a flying tomato? I almost
expect it to smell like exhaust gas, the vibrations of the plane engine
engrained somewhere in the pulp of the fruit.
To
get to Ghioroc, we take the old train, one of the first electrified lines in
Europe (before using it in Vienna, the wise Austro-Hungarian imperial
administration tested electrified train lines in Eastern Europe, at the margins
of the empire, and so in the eighties we were taking this one hundred years old
train). Its wooden benches are made for shorter people, its windows open and
close (or rather don’t open and don’t close) if you use a crank. The old train
is called “the Green Arrow”, partly because it’s painted dark green and partly because
it’s very, very slow: it takes more than one hour to travel the fifteen miles
that separate Arad from Ghioroc. It stops every three miles or so, to gather
all the farmers from the villages and offer them access to the town, where they
go on Sunday to the market to sell their produce.
On
Sunday evenings, when we come home, strong middle-aged peasant women get on the
train: they have wide hips and long dark skirts, pleated, with long aprons and white
shirts. They cover their hair with dark colored scarves. And they carry big
baskets with wide open mouths, two feet deep, three feet wide at the top.
“How
can they even carry these baskets?” I ask my mother.
At
a train stop, I see two men lifting a basket and helping a woman put it on her
head. Then she walks away, back erect, carrying fifty or sixty pounds on her
head.
I
remember them carrying strawberries, cherries, tomatoes, and apples to the market.
The smell of the fruit filled the dingy wagon, where most travelers stood
rather than sat (each basket could easily occupy two seats; some travelers
grumbled). At the market, the same baskets, filled with eggplants, potatoes,
peas, cauliflowers, strawberries, apples.
“How
much?” she’d ask.
A
kilo of this, half a kilo of that. Fruit flowed from the basket, a continuum of
abundance, which she stopped with an expert gesture. Usually she’d be right, measuring
with her eyes, a tiny bit less than the amount requested. Then, with a final
gesture, she’d throw in the last apple, potato, or pepper, tipping the scale.
Back
then, fruit came from the hills of Siria, which gave good strawberries; cabbage
from Comlos, which was known for its growers; apples from Santana; sheep’s milk
cheese from a woman my mother knew, and so on. A continuous flow, from rain to
earth to the peasant woman to the market to us. No PLUs, no bar codes. No
individually-tagged-flying-in-the-sky-around-the-world tomato. Just food, and
the woman with callused hands offering it to us.
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